Tuesday, January 26, 2010
NOCs (Nerds of Color)[Essay]
By Guest Contributor Bao Phi, originally posted at the Star Tribune Your Voices Blog
I’ve told this story a million times: when I was young, my father kept me off the streets and saved much needed money buying me the toys I wanted by getting me a library card and teaching me to walk to the Franklin Avenue library, and there began my love of books and stories.
What I’ve written less about is the books I gravitated towards: books about mythological monsters, Greek gods and heroes, King Arthur and the Knights of the Round Table, Lord of the Rings, my older sister’s Elfquest collection and X-men comic books. And the secret of many a nerd of color from the ‘hood: my lifelong devotion with role playing games such as Dungeons and Dragons, and Vampire: the Masquerade (making vampire fixations embarrassing long before Stephanie Meyer).
Although I had friends in and out of the neighborhood who were also nerds, it definitely wasn’t typical. I remember one of my fellow nerds of color inviting me to a Rifts game in a tough tone of voice as if he was initiating me into a gang, all the while looking around nervously as if his street cred would be in serious jeopardy if anyone overheard him talking about how much SDC a Glitterboy had.
Nowadays of course, being a nerd can mean big money. Everything from Tolkien to comic books to video games is finding its way into mainstream America’s fast food blood stream. Along with it seems to be the rebellious streak that goes along with being the kid who gets picked on for knowing how to write in Tolkien’s Dwarven – a certain righteousness about being the odd person out, the strange smug martyrdom that comes from knowing that painting miniatures and possessing a dice bag marked you as being a freak and an outsider.
But then how do nerds of color like me fit in, and how do we deal with fellow nerds who don’t want to talk about things like race and class in comic books, video games, role playing games, and movies? I’ll be the first to admit, I got into all of that stuff for the escapism it allowed. It was invaluable to me, as a refugee from a war growing up in an economically poor urban area, to fantasize that I was someone else, somewhere else.
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